![]() This is a great reason to use the Fast Color Corrector filter in Premiere Pro CS6 - when it comes to speed and simplicity, this works great. OK, so we’ll move it into the 3-way Color Corrector filter… except, there’s also no time. In an ideal world, you’d finish editing the project and take it to SpeedGrade or DaVinci and make it look glorious. Well, I guess that’s the answer – the filmmakers didn’t have the time or money to craft their images. ![]() Why is it that the footage that looks the worst always has the shortest deadline and the lowest budget?
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